Some of the terminology can be confusing. However I am sure that lots of other editing/ fx / etc packages ARE colour managed - just making sure that everyone is aware of the potential issue.Īlso remember the very concept of colour management: (Judging from the fact that Resolve needs 2 graphics cards - with one dedicated to colour transform maths. And most probably why FCPX needs 12gig of ram to play back HD footage. This is what the whole issue was with FCP1-7. (Good old fashioned manual way described in detail.)ĭo remember guys that unless your Editing / Grading / Whatever software is aware of your displays ICC profile it will NOT display the video correctly - even on a calibrated monitor.
I have not delved into the world of in-display correction, opting for a humble LUT box instead. When using a calibration device (X-Rite etc) for an external display - (read cheap broadcast monitor) what is the best way to 'burn in' the calibrated ICC profile into that display? (would one go about reading the ICC profile and changing the in-display colour settings?) Or is there a better interactive way to correct displays? Now here is a question of my own- and is aimed at the 'pros' amongst us. (I have never scene that in any x-rite/datacolor dialogue)
#Calibrate montior for video editing mac rec709 pdf
If you have any questions look at the dispcalgui website.Īlso attached a pdf re: setup etc.
Remember to keep your lighting to 6500k (also daylight) Hi gamma 2.2 (or 2.4 for 'perceptual' rec709) ( )Īllows arguably a better and more comprehensive interface for calibration, and supports most sensors.
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